Overview Specifications Image Quality. APS-C Go in depth with our full Canon T1i Review. See real-world photos taken with the T1i. Go in depth with our full Canon T3i Review. See real-world photos taken with the T3i. Canon T1i advantages over Canon T3i Fast startup. Canon T3i advantages over Canon T1i Less expensive. Higher effective ISO. Which are the most popular comparisons? Price comparison. Canon Rebel T3i Canon T1i.
No reviews yet Help our community by sharing your experience. Write a review. Design 1. Flip-out screens can be useful for tricky shots. The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes. An optical viewfinder or OVF allows the photographer to compose a shot while seeing exactly what the lens will capture. OVFs have no time lag and require no power - as opposed to electronic viewfinders, which can drain battery life.
OVFs are also better in low light situations. With less than full coverage, you may have to crop your photos afterward to get them looking perfect. We consider a lower weight better because lighter devices are more comfortable to carry.
A lower weight is also an advantage for home appliances, as it makes transportation easier, and for many other types of products. A hot shoe can be used to attach an external flash, as well as light meters, viewfinders, rangefinders and other attachments.
Resolution is an essential indicator of a screen's image quality, representing the maximum amount of pixels that can be shown on the screen. The resolution is given as a compound value, comprised of horizontal and vertical pixels.
A higher screen resolution provides a sharper image, making it easier to review your photos. A system camera has many interchangeable components such as lenses, flashes, and other accessories. System cameras offer greater flexibility than compact cameras. Optics 1. The larger the sensor the more light the sensor captures yielding in better image quality.
The more focus points the more flexibility in picking which part of the scene to focus on. They also give the image sensor a better probability in identifying the right area of the scene to focus on in more automatic modes.
If you want to spend money on low-light performance, then optics is a much better investment. What lenses do you have and in what context do you want better low light performance?
The Canon EF 50mm f1. Also, the Sigma mm f2. I ordered one. Looking forward to it. There's so much more noise in the T1i at high-ish ISOs than in the T2i, especially chroma noise, that I would expect a difference in stills too.
Even at base ISO the difference is really obvious. I don't have experience shooting stills with it, though. A strobe is the first accessory I recommend if you don't have one, if you're willing to learn how to use it properly, and the EXII is within your budget.
Also, as mentioned above, you can get 3. That is way more than a new body can get you. They state in a later post that they shoot RAW, how can they pull more of a shot at high iso's? I can't do it. So, what is in your workflow that makes high iso shots and up better taken in Raw mode? What's the secret. What I really like to to with high ISO stuff is leave the luminance noise in place grain , but be pretty agressive with chrominance noise usually leaving it at the default setting. And here is a gallery of examples using the same technique.
I will add that the dancers were lit with blue and red LEDs - a lighting nightmare , but because I shot RAW I was able to get the white balance back to some semblance of reality - which is why the background light is green.
If you look at some of the photos with fireworks in the background, that's what the color actually was. The T2i and T3i apply the same kind of chroma noise reduction I was talking about while the T1i doesn't. I end up doing a lot of work trying to clean up high iso shots. It could be that I'm just trying to hard to make it look like an iso shot. Either you keep the grain or you have to kill the details - the information simply isn't there.
Is it worth the hefty price tag? We take a look at the Cine, the high-end model in this series. The Nikon Z9 is the company's first camera to feature a stacked CMOS sensor, which brings a raft of new features, including blazing speed and autofocus performance to the Z lineup. Click through for our detailed first impressions of Nikon's latest professional ILC.
The Sony a7 IV is the fourth generation of the company's core a7 full-frame mirrorless camera model, and it's the most advanced yet.
Click through for an in-depth look at Sony's latest full-frame mirrorless ILC. Nik Silver Efex Pro 3, one of the standout components of Nik Collection 4, is a black-and-white conversion tool that goes far further than the grayscale or black-and-white tools built into all-in-one photo apps. For some users, this app alone might be worth the cost of the whole collection — find out for yourself in our review.
The Nikon Z mm F2.
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